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NEWS
June 30, 2015
TEFF`15: Leonidas Donskis „Europe and the dilemmas of freedom“ (video) 
Video from this year`s ThinkEuropa Festival. What does the freedom of EU-membership entail for Eastern Europeans? Can cultural and histoical differences between Eastern- and Western Europe be united in a commen identity as an EU-citizen? Watch professor and philosopher, Leonidas Donskis, debate these issues. (Continue...)
June 17, 2015
Shakespeare’s Politics 
Inside the vast new auditorium at the European Solidarity Centre in Gdansk, Leonidas Donskis fizzes with excitement. Having recently finished five years of service as a Member of the European Parliament, he is promoting his new book and revelling in the exchange of ideas about Europe and its neighbours. His topic is literature, or rather the ideas that literature wrestles with and conveys. “Few political scientists predicted the horrors of the twentieth century,” he declares. But then comes a list of those who did understand what humanity was capable of, such as Zamyatin, Orwell, and Machiavelli. (Continue...)
February 07, 2015
Leonidas Donskis - an Encyclopedic Rennaisance Like Figure 
The report  made at the Doctor Honoris Causa conferred to Prof. Leonidas Donskis by Valahia University of Târgoviște on November 6th, 2014. (Continue...)
December 15, 2014
L. Donskis: lobbyism and guild distribution should be avoided in the awards of National Culture and Art Prizes 
In brief: There is much of lobbyism in the world of culture too; therefore, creative organizations strongly fight for candidates offered by them when prizes are awarded, the head of the committee of the National Culture and Art Prizes Leonidas Donskis states. “Still, the creative organization or an artists’ guild is not public voice necessarily. It is a professional group, influential in many cases but it may be tendentious, it may offer some lasting chief or activist with a number of merits. Why are we sure that a promising young artist is offered?” he asks.

Still, the professor emphasises that the committee of the National Culture and Art Prizes should see the entire cultural field, look at entire culture of Lithuania broadly and should not succumb to guild distribution. In the interview the professor speaks about mechanisms of transparency, publicity in the awards of prizes.
In his opinion, the report of the chairman of the committee should be announced after every meeting, so that people would know what is happening. Meanwhile, now some of the information is classified, secrets are almost public as the majority know what is being spoken about. He is sure that the mechanism of awards should be improved.
(Read more...)
PUBLICATIONS
August 17, 2015
“I have no shame or conscience, therefore my conscience doesn`t bother me” 
Zygmunt Bauman has developed the theory of the adiaphorization of consciousness. During times of upheaval and at critical historical junctures or intense social change, people lose some of their sensitivity and refuse to apply the ethical perspective to other people. They simply eliminate the ethical relationship with others. (Continue...)
August 06, 2015
Yet Another Russia: On Andrei Piontkovsky 
An analyst who tries to win back our threatened sense of self-confidence and sober-mindedness. Very few political analysts and commentators possess the gift of the metaphor coupled with the incisiveness and accuracy of analysis. Either they fail a method or they fail a story, as Umberto Eco would have it. And yet there is a political analyst and writer who reconciles both the analytic skills and the powers of a graceful metaphor. (Continue...)
August 05, 2015
The Industry of Fear 
Let’s imagine Lithuania has a stock exchange where different types of journalist can be bought and sold.If we were to look at the shares of pessimistic commentators and analysts over the last year or so, their market value would unquestionably be flying high. (Continue...)
May 28, 2015
The Genius of Ukrainian Cinema 
When somebody mentions Ukrainian cinema, I immediately find myself thinking about two major film directors - Sergei Parajanov and Kira Muratove
These artists are as distant from one another as two people of genius can be. Parajanov’s masterpiece Shadows of Forgotten Ancestors (1965), based on the story by Mykhailo Kotsiubynsky revealing and portraying the unique Ukrainian Hutsul culture, was nothing short ofa miracle, yet it was a meaningful episode in Parajanov’s work otherwise more related to Armenian, Georgian, and Azeri cultures. Kira Muratova appears as a more specific Ukrainian phenomenon.

When somebody mentions Ukrainian cinema, I immediately find myself thinking about two major film directors - Sergei Parajanov and Kira Muratove. These artists are as distant from one another as two people of genius can be. Parajanov’s masterpiece Shadows of Forgotten Ancestors (1965), based on the story by Mykhailo Kotsiubynsky revealing and portraying the unique Ukrainian Hutsul culture, was nothing short ofa miracle, yet it was a meaningful episode in Parajanov’s work otherwise more related to Armenian, Georgian, and Azeri cultures. Kira Muratova appears as a more specific Ukrainian phenomenon. (Continue...)

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